Traditionally, drama films include some recognisable features:
- a serious/accurate representation of real life stories/events
- representation of emotions at their true 'height' -- but can be dramatised
- a journey that the character goes on (can be emotional or physical)
- occasionally plot twists
- emotional peaks
The protagonist of a drama film may be:
- slightly unstable
- **having to make a hard decision
- easy to sympathise with
- is relatable to the target audience
Drama films can:
- challenge stereotypes
- **connect to their audience on a personal level
- **be therapeutic - show how to protagonist faces a problem
There are several sub-genres within drama:
- Social Dramas
- **Mental Illness
- Alcoholism
- Youth Rebellion
- Race Rights
- Civil Rights
- Courtroom Drama
- War Drama
- Sports Drama
- Religious Drama
- Literature Drama
Well known examples of Drama films:
Fight Club
Titanic
The Help
12 Years A Slave
**I have put stars next to the codes and conventions that apply to my short film.
Camera Angles used within Drama films
Close Up

Used to emphasise the expression on a persons face and therefore the emotions they are feeling. Can be of an object to demonstrate its importance.
Long Shot

Used to show a person or scene and its surroundings. The surroundings are usual in peripheral vision whilst the main character/scene is in the centre.
High Angle Shots

Used to gain a perspective on the scene or to imply that the characters or scene show is of less importance/is less powerful than something else.
Over the Shoulder Shots

Used in conversations, shows the point of view of a character whilst keeping them in the frame of the shot -- maintain the continuity of the scene.
Mid-Shot

Used to help demonstrate the body language and/or intent of the character. Keep the setting/scene in the background of the shot - gives the audience a sense of the atmosphere and location.
Extreme Close Up

Used to add tension and/or intimidation within the scene, and can demonstrate a persons emotions or personality, or inform the audience of how they should be feeling. For example, an extreme close up of a persons eye's could inform the audience that they should feel as though they are being watched.
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